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History

More Than a Bucket: Hand Tools Built the British Brewing Trade

15 November 2025 by Neil

Right then, let’s talk about the Cooper. Not the awesome little car from “The Italian Job”, mind you, but a proper tradesman: one who expertly assembled casks, barrels, vats, and any other vessel made of wooden staves. Coopers were (in fact still are) masters of their craft. Without a good Cooper, much of the world’s trade, and certainly its best drinks, wouldn’t have gone anywhere.

It’s easy to see an old barrel and assume it’s just a rustic wooden tub, as opposed to a marvel of engineering. It’s built entirely without glue, relying only on perfect joinery and tension to hold hundreds of gallons of liquid. Makes most modern equivalents look crap.

A Trade Rooted in History

Coopering goes back practically to when “God was a lad”. The term Cooper coming from the Middle Dutch kūper, but the actual craft is thousands of years old. Evidence has been found of simple crude barrels Circa 5000 BC in the Middle East.

However, the real point of change came from the Romans where the barrel evolved to become the practical, rolling vessel we know. Their Coopers, the cuparii, began phasing out the old wooden or rope bindings and started using iron hoops, meaning the barrels were then strong enough to survive the rough and tumble of long-distance transport, shifting wine, olive oil, and more across their vast empire.

When the Roman Empire faded, the need for robust shipping containers didn’t. During the Medieval period, the barrel confirmed its place as the standard unit of volume and transport. Here in the UK and Europe, the Coopers formed powerful guilds. These weren’t just social clubs; they were serious bodies that laid down the law on quality, pricing, and training. If you were a Cooper in London, York, or Edinburgh, you were considered an indispensable artisan, and they knew their worth!

Three Kinds of Cooperage

Now then, Coopering isn’t just one thing. It’s traditionally broken down into three different specialities, depending on what you’re trying to keep inside the wood:

  1. White Coopering: This was the household stuff. Think pails, tubs, butter churns, and water buckets. Simple, open-topped vessels for things that didn’t need to hold pressure or roll down a hill.
  2. Dry (or Slack) Coopering: These casks were for dry goods: flour, tobacco, dried fish, salt, and maybe some cheap gunpowder. They didn’t need to be perfectly watertight, just structurally sound enough to keep the contents dry and safe.
  3. Wet (or Tight) Coopering: This is the big league, the real craft. These are the watertight casks for liquids: wine, beer, spirits, or oil. This demanded the most skill, as the margin for error was tiny. When you think of a Cooper, this is usually the craft you picture. They were the ones supplying the booming brewing industry, whether it was the stout houses of Dublin or the breweries right here in Yorkshire.

The distinction matters because it dictates the level of precision needed and, crucially, the tools used.

The Craft of Making a Perfect Barrel

If you’ve ever tried to build something out of wood and get a dovetail joint exactly right, you’ll appreciate the sheer skill involved in Coopering. They’re building a complex, curved object that has to withstand internal pressure and external rough handling, all while being perfectly sealed. The apprenticeships weren’t short either; five to seven years was the norm. It had to be, because you appreciate the challenge is getting a vessel to seal without using any kind of glue.

This sealing relies entirely on the meticulous shaping of the staves. These long, narrow slats of wood, usually oak (prized for its strength and the flavour it gives to spirits), need to be cut so that the edge of one stave fits against the edge of the next at a precise angle. Some master Coopers claimed they were working to tolerances of 1/2000th of an inch (be better if it was spot on eh!). Makes for a good story, but either way, that’s intense accuracy for a hand tool trade.

The process was long-winded, involving maybe thirty specialised tools. Here’s the gist:

  • Shaping the Wood: Tools like the Cooper’s side axe were used for the initial rough shaping. Then came the draw knives, or spokeshaves as they might be better known to some, but often much bigger: a rounded hollowing knife for the concave (inside) curvature and a flat backing knife for the convex (outside) curve.
  • Raising the Barrel: Once the staves were shaped, they were arranged in a circle, held together with temporary hoops, and then the serious business started. The wood had to be softened by using a flaming brazier inside the circle or steam to make it pliable. The Cooper then used ropes and windlasses to pull the open end closed, forcing the straight staves into that recognisable bulge, or bilge.

Securing the Heads: After the body was shaped and secured with its permanent iron hoops, the final piece of the puzzle was fitting the heads—the top and bottom. And this is where the sheer precision of the hand plane comes in.

The Topping Plane

Cooper's Topping or Sun Plane

In wet Coopering, the greatest risk is a leak where the head meets the body of the barrel. It’s asolutely critical. To prevent this, the ends of the assembled staves need to be perfectly flat before the final groove for the head can be cut.

This is the job of one of the trade’s most specialised and fascinating tools: the Cooper’s Topping Plane, sometimes called a Sun Plane.

Think of the barrel as a cylinder on its side with the rough ends of all those individual staves sticking out. You could try and knock them back with a hand adze first, especially on tough oak, but that won’t give you the super-flat surface needed.

The Topping Plane is much like a jack plane but curved in order to work across the top of the staves without tilting. It slides around the entire edge, shaving the ends of all the staves down to a perfectly flat and level surface. It’s the final leveling pass. If this surface isn’t absolutely true, then the next step won’t work, and the barrel will leak. Simple as that.

Once that perfectly levelled surface is achieved, a Cooper would use a special tool, the croze, to cut a tight groove (also called the croze) around the interior of the staves. This recess houses the barrel top, precisely securing it to create a tight seal and prevent seepage. But that can’t happen until the Topping Plane has done it’s job, trimming the edges of the staves to be accurate and flat so the croze can function effectively.

Topping or Sun Plane for Coopering

If it piques your interest, you may be pleased to know I have one for sale: a genuine Cooper’s Topping Plane. A proper piece of history. See here in the shop.

British Coopering: More Than Just Guinness

While the romantic notion of Coopering often heads straight to bourbon in America or wine in France, the UK trade was massive and influential. The brewing industry, particularly the production of Ale and Porter, powered demand for tight Cooperage throughout the 18th and 19th centuries.

In major cities like London, Liverpool, and especially the brewing heartlands of the Midlands and Yorkshire, Coopers were a powerful force. They weren’t just fixing things; they were making thousands of new vessels every year. They even had their own slang, and a good sense of humour with it. If you’re bending heavy oak staves and dealing with hot steam all day, you need a bit of a laugh and maybe a flagon or two.

The legacy here may be best related to the Navy and the merchant fleet. British naval Coopers were absolutely vital. They built the huge vats and barrels needed to carry water, beer, rum, and salted provisions for long voyages. A leaky cask on a ship was a disaster, so the Navy only accepted the very best work. This constant, high-stakes demand kept the British Coopering trade keen and ensured its longevity.

If you want to delve deeper into the tools that underpinned trades like this, I can highly recommend The Handplane Book. It covers everything from the humble smoothing plane to these much more specialised beauties, like the Cooper’s planes. It’s a fantastic resource for any serious tool collector or woodworker, and helps you appreciate just how varied and specific the plane family really is. You can find the book here if it’s of interest. (as an Amazon Associate, I earn from qualifying purchases).

The Enduring Trade

Like many traditional crafts, Coopering took a serious hit after the Industrial Revolution. Machines could shape wood faster, and later, cheaper metal and plastic containers became the norm. Guinness, for example, started swapping out wooden casks for aluminium kegs in 1946, and the last wooden cask was filled in March 1963. A sign of the times!

But the craft has far from gone away, and do you want to know why? Flavour.

You simply can’t replicate the interaction between wood and liquid in a metal or plastic container. The aging process in oak barrels is fundamentally essential to the final product of many fine beverages. Think Scotch whisky, which must, by law, be stored in an oak cask for a minimum of three years and one day. Or fine wine, where the barrel adds complex tannins and aeration. The wood isn’t just a vessel; it becomes an ingredient.

So, while the industry might be smaller, it’s thriving in quality. Master Coopers today still rely on the timeless effectiveness of traditional tools. They understand that for the absolute best result, the ancient methods of meticulous hand-shaping and precision joinery remain superior.

It’s a great reminder that sometimes, the old way really is the best way (who here is gonna argue with that?). And when you pick up a tool like the Topping Plane, you’re not just holding a piece of wood and iron; you’re holding a thread to a craft that’s kept empires running and still keeps the world supplied with the finest drams. Not bad for a bit of joinery, is it?

Cheers!

 

Filed Under: History, News Tagged With: Coopering Tools

Ugly Brute With Big Teeth is actually a Beauty

30 October 2025 by Neil

You know when you can just sense something is correct? That sixth sense…..

I came across this beast a couple of weeks ago at a local flea market, lurking amongst a few other saws, which, in retrospect, I should have bought given what this has turned up.

Now I’m a bugger for leaving my specs at home, which has hampered me on many occasions. Thankfully, that sixth sense bailed me out here, and the Saw Doctor Gods were smiling on me.

Richard Groves Saw - Ugly Brute With Big Teeth is actually a Beauty

The big teeth were roughly cut and as ugly as “a week on nights”, but something about the tote just looked right with brass saw screws, lovely medallion, and the elegant shaping.

To digress, if you have Simon Barley’s “British Saws and Sawmakers from 1660”,  there is a section on Saw Handle Makers, and I always get the vision of “Old Clegg” who is referenced in the book, crafting these wonderfully ornate handles in a poky little workshop somewhere in Sheffield.

You can find the book here if of interest. It really is a great resource! (As an Amazon Associate I earn from qualifying purchases).

I couldn’t see any mark on the saw without my specs and questioned the price. I was more than pleasantly surprised and snapped it up for a song. After snatching the chap’s hand off, I ventured onward, buying a few other nice bits and pieces in what turned out to be a pretty decent day.

I’ve a thing about welcoming all new tools to the workshop when I get them back home (soft I know) and went on to have a closer look at my finds with a pot of tea. Now adorned with said specs and a magnifying glass, with a bit of light rubbing I found a mark of R Groves & Sons Sheffield. Checking in Simon Barley’s book, it’s Circa 1880.

Can’t tell you how pleased I was, having been a big fan of Richard Groves’s saws since first reading about them on Paul Seller’s blog and later acquiring 2 brass-backed tenon saws. They’re beautiful to use, feel solid and comfortable in the hand.

I called my friend and Hand Saw expert Peter Tiffney who lives nearby and sent him a photo or two, just querying the tooth pattern. His response landed with any number of expletives as to who’d done that to the teeth of such a prestige saw. He told me it had clearly been “adapted” (or bastardised) into a logging-type saw and went on to tell me what needed to happen.

We met up a few days later at the “Vintage Tool Extravaganza”, brilliantly organised once again by Robert Leach at Carlton Scroop in Lincolnshire. I took the saw along and “Tiff” resumed his opinion of the adaptation with more expletives and told me again to get it recut as a cross-cut to 8tpi.

I’ve dropped it in locally this week at The Saw Point in Skellingthorpe, who do a marvellous job and can’t wait to get it back ready to go through the dark sharpening arts with “Tiff”. He’s been teaching me saw sharpening, and this is looking like my next lesson.

Really looking forward to getting it finished and back doing what it should be. Will post and update when it’s done.

Happy Times!

***Update***

Well, I’m a happy badger I have to say.  The Saw Point have done an absolutely sterling job and I have an 8tpi cross-cut that’s just a joy! Have put a bit of time, BLO and polish into the handle and carefully re-attached (scared me to death a nice medallion like that as fragile as it is). Cuts as “sweet as” but I still might go and call on the old “saw doctor” himself Pete Tiffney to tickle it further. Job done, love it!

 

Filed Under: History, News

Amazing Old Tools!

9 July 2024 by Neil

There’s something special about tools with a history. Every mark has a tale. At Vintage Hand Tools, we explore old stories. We bring past tales to life through our tools.

I began this because I admire old-time skill. Tools back then were more than just tools. They were a worker’s faithful friend and lifeblood, helping create masterpieces. Now, they are ready to join you on your journey.

I travel a lot, finding these tools at markets and the like. Every saved tool holds a piece of the past. Truth be told, they don’t make them like before. Where required, each refurb not only saves history but also celebrates great craftsmanship.

Our tools are not just unique. They hold the essence of past craftsmen that’s missing in today’s tools. Using one can change how you feel about your work. It makes creating more meaningful.

If this excites you, you’ll love our line-up at Vintage Hand Tools. Why not check out our collection? You might find a tool that calls to you or a rare find that reflects your style.

Vintagehandtools.co.uk. Jump into a world where each tool has a story.

Thanks for being here,

Neil Spruce

Vintage Hand Tools - There's something special about tools with a history

Filed Under: History, News

Tracking Marples history in Sheffield

16 October 2023 by Neil

Second part of a great weekend as I went to visit my brother in Sheffield. We don’t see nearly enough of each other and it was great to catch up, mainly in the local for a long afternoon of discussion continued with a few more back at the house a little later on and into the small hours.

He too like me, is a collector but mainly of historic action comics, music memorabilia and vinyl. So Sunday morning required plenty of coffee and a good walk to “blow the cobwebs off”. Beautiful day and I saw a chance to knock off one of the things I’d been hoping to do for ages and visit the resting place of William Marples (Jnr) which wasn’t too far away.

Entering the cemetery at the church of Christ Church in Fulwood the task looked daunting as there seemed to be a vast amount of graves all very close together and it appeared a “needle in a haystack” type scenario. With my brother questioning my idea of an ideal Sunday morning activity, we stumbled around for five or ten minutes, contemplating asking the vicar or such but could hear the Sunday service in full flow and didn’t want to interfere.

We were chatting away thinking it may be a job for another day when all of a sudden there it was, straight in front of  us with the grave of William’s son Edwin Marples immediately at the side of him! Given the magnitude and ornateness of other graves in the cemetery it was surprising how understated both graves were considering the size, reach and history of the Marples tool business of the time. William must have been a humble man. The graves are plain and bear no testament to the company or what the men had achieved.

William Marples was born 21st March 1809 and died 2nd October 1877. He is buried together with his wife Jane Kent who died later in 1893.

Edwin Henry Marples his son, was born 17th October 1839 and died 17th November 1918. He too is buried with his wife Mary Jane Smith.

 

 

Given the amount of Marples tools I possess together with a working knowledge of the company history, it gave we a little warm feeling inside having ticked this one off. As I said to my brother the night before when we were discussing collecting, cataloguing and general Magpie behaviour, “not everyone would understand“!

The Hawley Exhibition next time I’m in Sheffield has to be top of the list.

 

Filed Under: History, News

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